Œil de rouge
2025, peinture acrylique sur toiles formées,
86,6 × 100 cm
This triptych is based on a principle of perceptual psychology formulated in the 19th century by a German physiologist. Known as Weber–Fechner’s law, it describes the relationship between the intensity of a stimulus and an individual’s perception of it. It states that the more intense a stimulus is, the greater the difference required for an individual to perceive a change. The three monochromes, whose surface area and quantity of pigments follow a progression, playfully re-enact this scientific principle. This work invites us to experience it.
2025, acrylic paint on shaped canvases,
86,6 × 100 cm
This triptych is based on a principle of perceptual psychology formulated in the 19th century by a German physiologist. Known as Weber–Fechner’s law, it describes the relationship between the intensity of a stimulus and an individual’s perception of it. It states that the more intense a stimulus is, the greater the difference required for an individual to perceive a change. The three monochromes, whose surface area and quantity of pigments follow a progression, playfully re-enact this scientific principle. This work invites us to experience it.